How does the author create suspense in lather and nothing else?

How does the author create suspense in lather and nothing else?

In the short story “Lather and Nothing Else” by Hernando Tellez, the author develops suspense by establishing a lofty view of the plot, setting time constraints on characters, and showing the character’s inner conflict.

How does the author best create suspense in the excerpt?

The author best create suspense in the excerpt by using short sentences and confused thoughts that speed the pace toward the barber’s important decision.

Which phrases does the author use to quicken the pace and build suspense?

Answer : The author uses the phrases ‘usual hurry’ and ‘glanced at the clock appeared’ to quicken the pace and build suspense in the given excerpt from “Lather and Nothing Else.”

Why might an author use a fast pace in a narrative select all that apply?

The pace of a text is the speed at which events develop. Authors use longer sentences and details to fully develop a scene. Authors use short, action-filled sentences to increase the pace. Increasing the pace of a story is an effective way to build suspense.

Why do you think the author chose to change the pace in different parts of the text?

Answer: Sample Response: In the middle of the story, the author uses a fast pace to build suspense while the narrator is going back and forth about whether or not to kill the captain. The author used different paces in these parts in order to build suspense through the story and then resolve the conflict in the end.

Which line from lather and nothing else best reveals internal conflict to cover my nervousness I went on honing the razor?

The line from “Lather and Nothing Else.” by Donald A. Yates, that best reveals internal conflict is “And it would be so easy to kill him.

What is the main conflict in lather and nothing else?

The main conflict in Lather And Nothing Else is Barber vs Society. The Barber (the protagonist) does not agree with the current government. He want change. This forces him to join the rebellion.

What is the main theme of the story lather and nothing else?

The theme in the Lather and Nothing Else is that before making a decision look at the possible consequences that could come out of that situation.

Which is an example of internal conflict?

With internal conflicts, you might feel a clash between competing desires. For example, an alcoholic may struggle not to reach for the bottle of bourbon. That person knows they need to stop drinking, but the desire to drink is very strong, leading to an intense internal struggle.

How do you handle internal conflicts?

STOP IGNORING AND MUTING THE VOICE IN YOUR HEAD. To resolve your internal conflict, you must honor the conversation your self-knowledge is trying to have with you. Treat your brain, heart, and mind like you would treat someone you love deeply. Listen intently and feel your way through what you may be trying to silence.

What is the difference between internal and external conflicts?

All conflict falls into two categories: internal and external. Internal conflict is when a character struggles with their own opposing desires or beliefs. It happens within them, and it drives their development as a character. External conflict sets a character against something or someone beyond their control.

What are some examples of external conflict?

External Conflict Examples

  • Man vs. Man-the character is in conflict with another person in the story.
  • Man vs. Society-the character faces conflict due to some type of societal norm that is in conflict with his/her beliefs or actions.
  • Man vs. Nature-the character faces trials due to natural forces.

How do you write an external conflict?

Making external conflict compelling: 6 ideas

  1. Combine multiple external conflicts. In stories, as in life, struggle often occurs on multiple fronts.
  2. Connect external conflicts to characters’ inner lives.
  3. Give external conflicts their own arcs.
  4. Brainstorm other struggles external conflicts trigger.
  5. Think about interests.
  6. Make external conflict drive the story.