Where is the Excalibur in Sao lost song?

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Where is the Excalibur in Sao lost song?

Lisbeth’s workshop
This dungeon is full of nothing but bosses and when you make your way completely through, you will face a level 1,000 Seven. It is this version of Seven that drops the weapon. If it does drop, you only need to take it to Lisbeth’s workshop in Sky City Ryne to identify it as Excalibur.

Is Excalibur the strongest sword in Sao?

The «Holy Sword Excalibur» (聖剣エクスキャリバー, Seiken Ekusukyaribā?) is the strongest legendary weapon in «ALfheim Online», being the only weapon that surpasses the «Demonic Sword Gram». The sword is rewarded upon the completion of The Holy Sword of the Ice Palace quest and is currently in the possession of Kirito.

Does Kirito use Excalibur in Alicization?

Kirito appears just in the nick of time and wards them off using his own sword and the Excalibur, dual wielding them while Asuna and the Sleeping Knights head for the boss room. He simply doesn’t use it because it isn’t fair, it is way too powerful. If it wasn’t for Shinon, it would not have been given to him.

What type of sword is the elucidator?

The Kirito sword used throughout the anime is the Elucidator. It is a black one-handed longsword that he acquired as a drop from the 50th-floor boss.

How do I get the holy sword in lost ruins?

Guide Dang It!: Obtaining the Holy Sword requires either playing on Hardcore mode, or not opening any chests until meeting Sadora the Ascetic twice. Additionally, the added scene in the Golden Ending is only available while playing on Veteran or Hardcore.

What is the most powerful sword in Sao?

Elucidator. Elucidator is a single-handed powerful sword that serves as Kirito’s primary weapon in Sword Art Online.

Why couldn’t Kirito keep Excalibur?

4 Answers. It’s because the sword was overburdening Kirito and since he can’t put it into his inventory, he had to make a choice of either letting it go so he can make the jump onto Tonkii or going down with it: From the (previously translated) light novel (Sword Art Online Volume 8, Early and Late, Caliber, page 308):